30 December 2016
26 March 2016
At a time when Latin American and other Third World national cinemas began to finally receive their long overdue recognition, the need emerged to develop a plan for the methodological study of the Puerto Rican cinematic tradition. Undertaking this project, Ines Mongil-Echandi and Luis Rosario Albert concentrated their analysis on the collection of over 100 films produced by the Division of Community Education during the 1940s through the 1960s under the sponsorship of Governor Luis Munoz Marin. These films represent a national artistic expression whose great value was internationally recognized at the time but which after 40 years lacked an analysis based on modern historical studies of film.